Writing Kleopatra and Alexander's Other Sisters

In the guest blogs for Becoming, I talked about Alexander and Women, and Alexander’s Mum, but I wanted to save his sisters for the release of Rise, as all three have more important roles in the second half.

In my first drafts of Dancing with the Lion, Kleopatra—Alexander’s only full sister—played a role, even a significant one near the end, but not as a point-of-view character. Yet I’d developed a real love for the character, and it finally occurred to me, “Hey, why don’t you just let her speak for herself?”

So I did.

For a variety of reasons, I stayed out of Myrtalē’s head (Alexander’s mother, better known to posterity as Olympias). But Kleopatra was another matter, and it seemed useful to provide her view not only of her brother, but also of their mother and father.

Yet she added so much more. Kleopatra opens a window onto the women’s quarters. Some of that is shown in Becoming, but we get a better view in Rise with Kleopatra’s undermining of her father’s last wife, also a Kleopatra. (The Macedonians had popular names too, so think of “Kleopatra” as the ancient Macedonian version of Taylor, Madison, or Elizabeth.)

It’d be a spoiler to tell what happens, but suffice to say the three sisters (really half-sisters) gang up on the interloper. Kynnane wields a spear (yes, she really could; her father took her to war), but Kleopatra? She wields an abacus and a loom. And she’s the chess master behind it all. Or perhaps we should say, the math mind behind it, three steps ahead of everybody else.

Kleopatra would go on to become the Queen of Epiros where, after her husband’s death, she took over as regent for her son. She and her brother would remain close, and reportedly, when he was told that she’d taken a lover, instead of expressing the expected outrage, replied, “Well, she ought to be allowed to enjoy herself.”

Dancing with the Lion is a coming-of-age story for Alexander and Hephaistion, but also for Kleopatra. Although a secondary character, she has her own journey to maturity across both books. I hope readers enjoy reading about her as much as I enjoyed writing about her.

When I continue the series, she’ll remain a significant secondary character, providing an important view on what’s happening back in Greece, as her brother wends his way across Asia. In fact, at present, the opening scene of book #3, King, is in Kleopatra’s head.